We had the privilege of sitting down with the incredibly talented Philip Earl Bynoe, an American musician widely recognised for his remarkable work with legendary guitarist Steve Vai. With an impressive history as the bassist for Vai’s touring band—first from 1996 to 2000 and then returning to the role in 2007—Philip has also contributed his signature sound to four of Vai’s studio albums. In this interview, we delve into his journey, his creative process, and what it’s like to collaborate with one of the most iconic figures in music.
What’s the best piece of advice you received early in your music journey that you still follow today?
That would be to learn as many songs in as many styles as you can. If you’re wanting to be a pro musician, you have to be ready at all times to play any type of music. When I was very young I wanted to play funk, but I was put in so many different kinds of gigs I had to learn fast how to function in all styles of music. Plus it helps your ear to hear things that you wouldn’t normally play.
What inspired you to pursue a career in music, and how did you get your start?
My inspiration was my dad and brother. My dad played in the symphony in my home town and when I was in 6th grade my brother went out, made a record and went on tour. I knew I wanted to be a musician also because I love music and performing. I got my start at a very young age, because I had a bass and an amp, I joined a band in 6th grade and then played my first show with them. I was hooked that night! I started with the cello which I still play and then studied guitar and bass. All of my siblings played so we all connected with music.
What advice would you give to someone looking to break into the music industry?
Networking is the true key to success. Yes you have to put the time in and practice and study, but meeting people and letting them know what you want to do is a big part of it. Most of the work I’ve done has been because someone recommended me or I had played with them in the past. The music business is like a small town. You always want to work with people you trust and know will do a good job, so go to jam sessions, sit in with people, make friends. Let people know you can play and are good to have around.
How do you approach the songwriting or production process? Do you have any rituals or routines?
Well for songwriting I like to just start, trying not to be overly critical and allow myself to give an idea to blossom. If I’m working on someone else’s music, I’ll ask questions that give me insight into what they are hearing and wanting. What’s the song about? What sound are you hearing? Things like this so I can get a lot closer to playing what they would like. My ritual is to show up early and be flexible about the process. I also like to prepare days ahead of sessions if possible so I can go in ready to play and also able to adjust if necessary.
How do you stay inspired and continue to evolve as an artist?
By loving what I’m doing, I try not to get hung up with what others are doing. Which is tough with social media having such a big part in our lives. I’m happy for others and I listen with an open mind. I go into my studio and create stuff I like and I’m not thinking or trying to write stuff for others, I create for myself and as long as I like it that’s enough.
I make music because I love it everything else happens around that.
What’s a simple home studio hack that made a big difference for you?
It took me a minute to get this but, having good gear is a great tool. A couple of good instruments, a good pre amp and a good computer is a great start. I know I thought I need a lot of options, but great sounds make great music. A good microphone things like that, so your productions will sound clear and the instruments will be true. I will say I tried for a long time to find an inexpensive fix, but getting the right piece in the first place is a better choice. Also very important, do not spend above your means! Get the best thing that you can afford and as life goes by step your tools up and make smart purchases.
Which music project are you most proud of and why?
This is a tough question , depending on when we’re talking about I’m proud of most of the stuff I’ve gotten to be a part of. Obviously playing and recording with Steve VAI is a great feather in my cap. It’s what most people know me for, but I’ve written and produced children’s music for the past 16 years. Now few of you would have heard it, but I’ve loved doing that. Also creating fun songs and some tv ads with my wife is something that I love, for me, being in the creative space is home, that’s the why for me. I love finding that right chord or creating a sound that makes me happy it’s just the process.
What’s a production tip you wish you’d known sooner?
Learning how to use EQ and compression. I’m still finding out new things and ways to use just these two elements to shape songs in production. With EQ, you can bring instruments forward without turning them up, you can change the character or mood of a song by bringing an instrument or vocal to life. With compression you can get punch without distortion, and also things won’t dominate the mix but everything will be distinguished without being loud.
What’s one piece of gear in your studio you couldn’t live without, and why?
As I mentioned before, my pre amp is that one piece I spent some money on. Because of the eq and the compression built into it.
Computers, plug ins, even dare I say instruments, you’ll always get more because that’s what we do… But if what you’re plugging into is great, your recording will be great, clean and in the digital age that will stand the test of time. You have to have quality at all the parts as well, but for me a great pre amp is a game changer.